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INTRODUCTION by J.O. Spaak, Sole Editor
and Lightning Rod for Controversy NOTE: This Introduction was
originally written when this Guide was being offered to jazz radio programmers in a now
defunct effort to build an online jazz programmer community. The Guide is now offered to
anyone interested. It will likely never be updated, so here it is, "for the
Ages." --J.O. Spaak, former 'UH Jazz Director, May 2002
As serious jazz people, we probably all get irritated when we hear a radio
announcer lacking jazz experience inform us that we were just listening to
"Art Blakely and the Jazz Messengers" or "violinist Stephanie Grappelli".
This
kind of error is as much a result of being a lazy or inattentive reader,
obviously, as being inexperienced in jazz. This Guide does not pretend to be able to cure
that problem. And, it's very obvious that it will be of no help when one is sitting before
an open mic, reading the personnel from a recording not
encountered before, and discovering an equally "foreign" name (foreign in
quotes because it may very well be a name from the English-bred world).
However, if one plans to do a special segment spotlighting the music of
someone you've long admired, but dreaded pronouncing the name, it may be of
some modest aid to you.
The first batch of candidates for inclusion here was culled from an informal
survey of New England radio people at a meeting several years ago. The
nominees were to be musicians whose names we had heard other radio people
mispronounce frequently. (The database has grown since, by additional
nominations and on the Editor's own initiative, and now includes the
occasional place name, name of a composition, name of a record label, names of noted
producers or others associated with the music, etc.) Even in a room
containing many decades of collective jazz radio experience, some names
struggled valiantly to avoid a consensus being reached about them. This raises
the issue of authority. "Joe Blow has been on the air for 20 years and he says
it this way..." is not sufficient authority. I'll bet you "dollars to
donuts"
that "Joe Blow" doesn't know how to say "Montreux"! Obviously, the
ultimate
authority would be derived by summoning the subject (from the grave, when
appropriate) to appear before us and tell us with his/her own lips how the
name should be said. Since this is slightly impractical, the next best thing
is to have "earwitness" testimony of someone who did, at one time, speak
directly to the party in question and heard how the person pronounced her or
his own name. When this is possible, the Editor will cite that information in
the entry. [The Editor only appoints himself an "Authority" in one area:
French! This because he studied it in his youth until it "came out his
ears".]
Why does all this matter? Should we all go about speaking like, to borrow
Monty Python's immortal phrase, "upper class twits"? Your Editor believes it
is a matter of respect for other cultures (time to reverse the trend of
English-speakers trotting the globe demanding that "the natives" be the ones
to learn a new tongue!), and respect for an individual's personal heritage.
(With all the attention garnered by Wynton, Branford, et al, why have some
media types still not picked up on the fact that it's pronounced
"Mar-sell-iss", not "Mar-sail-iss" or some other
variant?!?) Is your Editor so
deluded as to believe a unanimity of pronunciation by jazz radio hosts in New
England can be achieved? Not quite, but it's endless fun to argue over these
things! By the way, though your Editor takes sole responsibility for what
appears here, he makes no claim to infallibility. Yes, there's the occasional educated
guess where reliable resources just weren't available. Take it or leave it, folks!!
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- Abate, Greg ah-bah-tay Saxophonist
- Abrams, Muhal Richard moo-hol ("hol" as in
"holly") Pianist, com-
poser, bandleader
- Airto eye-air-toe (last name: Moreira)
Percussionist
- Akiyoshi, Toshiko toe-she-ko ah-ki-yo-she
Pianist, composer,
bandleader. [authority: personal interaction with the artist--Spaak]
- akLaff, Pheeroan fair-own ahk-lahf
Drummer [authority:
personal interaction with the artist--Spaak]
- Allyson, Karrin car-inn al-liss-un
Vocalist
- Almeida, Laurindo lor-een-do ahl-may-dah
("lor" rhymes with "oar") Classical/jazz guitarist.
- Arnold, Horacee Disregard that final 'e' (it's "silent").
Drummer
- Atkinson, Lisle L"isle" as in another term for
"island" Bassist
- "Au Privave" oh pree-vahv ("ah" as in
"Stick out your tongue and say
'ahh'") Charlie Parker tune, often misprinted as "Au Private"
- Ayler, Albert eye-ler Avant garde saxophonist
- Barbieri, Gato gah-toe bar-bee-air-ee
Argentine saxophonist
- Bates, Django zhane-go Pianist/composer
- Beaudoin, Gerry bow-dun ("dun" as in
"dungaree") Guitarist
- Bechet, Sidney beh-shay Legendary soprano
saxophonist,
clarinetist
- Benoit, David beh-noyt Pianist (He prefers this
"Americanized" version of French name.)
- Bigard, Barney bi-guard ("bi" as in
"bit") New Orleans clarinetist, Ellington stalwart
- Blake, Ran "ran" as in "She 'ran'
away." Pianist/composer
- Blake, Seamus shay-muss A fine ol' Irish
name! Saxophonist
- Bley, Carla; Bley, Paul blay Pianist/composers,
bandleader (Carla)
- Bluiett, Hamiet ham-ee-it blew-it
Saxophonist, arranger, producer. Alternative: ham-it
[Authority for latter: Personal conversation with the artist by Richard
Paske, dpmusic, St. Paul, MN]
- Boland, Francis frahn-see bo-lahn
("bo" as in "bonus") French
big band leader
- Bonfa, Luiz lou-eez bone-fah Brazilian songwriter,
(?) pianist
- Bunnett, Jane buh-net Flutist
- Catingub, Matt cat-tin-goob Arranger, big band
leader
- Childers, Buddy chill-ders Trumpeter
- Chopin, Frédéric fray-day-reek shu-pan
("shu" as in "shut"; 'n' in last name said with "nasal"
tone, and half-swallowed) Francified Polish piano master, composer of 19th
Century; occasional dedicatee of
modern jazz homages
- Cohen, Avishai ah-vi-shy ("vi" as
in "vintage") Bassist
- Coleman, Cy "sigh" Songwriter
- "Concierto de Aranjuez" cone-see-air-toe
day ah-rahn-wezz (now
here's the really good part: the second 'c' in first word and the last
syllable of final word are...lisped!! To execute this correctly, you should end up
with your tongue protruding between your upper and lower teeth. Try it--it's
fun!) Composition for guitar and orchestra by J. Rodrigo, served as
inspiration for famous Gil Evans/Miles Davis collaboration, among others
- "Crepuscule With Nellie" cray-pus-skyool
Thelonious Monk tune (in
French: "Crépuscule avec Nellie"), sometimes misspelled "crepescule",
more or less translating to "Twilight With Nellie"
- Cyrille, Andrew sir-rill Percussionist
- Danielsson, Palle pol-uh dahn-el-sson
("pol" as in "policy"; "sson"--
"hissy" kind of 's' sound, long 'o') Drummer
- Debussy, Claude de-byoo-see ("de" as in
"debt") 19th/20th Cen-
tury French "impressionist" composer, whose works are occasionally
given a "jazz slant"
- "Dindi" zheen-zhee A.C. Jobim
composition
- DiPaola-Davis, Mary dee-pow-luh Pianist
- Dorough, Bob durr-oh ("durr" rhymes with
"purr") Singer/song-
writer
- D'Rivera, Paquito pah-key-toe day-ree-vair-ah
Saxophonist
- Duvivier, George dew-vee-vee-ay ("ay" as
in "day") Bassist
- Eade, Dominique dom-ee-neek eed Vocalist
- Eckstine, Billy ekk-styne Legendary
baritone singer and one-time leader of wickedly "hot" big band in early years of
bop [listed because reportedly said as "eck-steen" on occasion]
- Elias, Eliane el-lee-ahn-ay eh-lee-ahz
Pianist/vocalist
- enja en-yah ("en" as in
"engine") German label
- "Estate" e-stah-tay ('e' as in
"edge") Composition; Portuguese (?) (and Italian, I'm told) for
"Summer" [I take Shirley Horn's pronunciation in performance of this
tune as 'gospel'--how could Ms. Horn be wrong??--J.O.S.]
- Evingson, Connie long 'e' (as in "eve")
Minnesotan vocalist
[authority: personal interaction with the artist--J.O.S.]
Key A-E
L-P Q-U
V-Z
F-K
- Gaillard, 'Slim' gay-lird ("lird" rhymes
with "bird") Guitarist, master
of "jive talk". May or may not have been born in Cuba. If he hadn't
existed, could anyone really have invented him?
- Garbarek, Jan yahn gar-bah-rek
("gar" as in "garment", "rek"
as in "wreck") Norwegian reed player, ECM stalwart
- Gilberto, Astrud ah-strude zheel-bare-toe
Brazilian vocalist who
rocketed to fame (well, by jazz standards!) through her work with
Stan Getz at birth of Bossa Nova era (mid-1960s)
- Gilberto, Joao zhwow zheel-bare-toe
Brazilian composer,
singer, pianist
- Giuffre, Jimmy jew-free [sorry, but that's the
best phonetic way to put
it] Clarinetist
- Goykovich, Dusko dooze-ko goy-ko-vitch
Trumpet/flugelhorn
player
- Grappelli, Stéphane stay-fahn grah-pell-ee
Swing violinist supreme;
though forever linked with France, he was born in Italy
- "Gymnopédies" zham-nup-ay-dee
("nup" as in "nuptials") Series of
pieces originally for solo piano, by Erik Satie (the word itself is made-
up nonsense); sometimes given a jazz treatment
- Hammer, Jan yahn hah-mer
Keyboardist of Czech origin
- Hidalgo, Giovanni zhee-oh-vahn-ee
ee-doll-go Percussionist
- "homage" um-azh
("um" as in "hum") French for "in
tribute to";
sometimes appears in composition title, e.g. "Homage to Coltrane"
- Houn, Fred ho Saxophonist, composer; in
recent years, he has
dropped the 'un' from his name to avoid confusion
- Hughart, Jim hew-ert
Bassist. [authority: Personal conversation with the artist by Brian Sanders, KUNV,
Las Vegas]
- Humair, Daniel dahn-yell ewe-mare
Swiss-born drummer [Look,
Ma! I got to use the names of two critters in one entry!]
- Ibrahim, Abdullah ahb-doo-lah
eeb-rah-heem South African
pianist (formerly known as Dollar Brand)
- Jacob, Christian kreest-yahn
zha-cub ("cub" as in baby bear)
Pianist
- Jacquet, Illinois zha-kay
Saxophonist/bandleader; this is preferred
pronunciation [authority: Personal conversation with the artist by Phil
Bowler, WPKN-FM], but he's accustomed to "jacket"
- Jamal, Ahmad ah-mod zha-moll
("mod" as in Mod Squad, "moll"
rhymes with "doll") Pianist
- Joyce joyce-ee Brazilian
vocalist
- Jung, Tom "ju" as in "judge"
Pioneering digital audio engineer and
head of Digital Music Products ("dmp") label
- Kamuca, Richie kah-moo-kah
Tenor saxophonist
- Kirk, Rahsaan Roland rah-son
("son" as in "sonic") Indescribable,
truly unique individual; if you ain't hip to him--get there!
- Knepper, Jimmy the 'k' is silent
Trombonist
- Kohlhase, Charlie coal-hace
Saxophonist
Key A-E
F-K Q-U
V-Z
L-P
- Lateef, Yusef yoo-zeff lah-teef
Multi-instrumentalist, composer
- Legrand, Michel mee-shell loo-grahn
("loo" like "look") Com-
poser/bandleader
- Leonhardt, Jay len-heart ("le" like
in "lemon") Bassist [authority: this is how he introduces himself on a
live recording]
Levey, Stan lee-vee Drummer
- Lupri, Matthias mah-tee-uss loo-pree
Vibraphonist [authority:
personal communique from the artist]
- M'boom oom-boom Max Roach's percussion
ensemble. In
southern African tongues, "M'" is pronounced "oom"; so, yes, it's
a nice rhyme scheme. Any objections?
- McEachern, Peter mick-care-en (or,
simply pretend it's
"McCarran") Trombonist
- McLaughlin, John mc-lock-lin (the
"gh" has nothing to do with the
word "laugh") English guitarist of Irish ancestry
- McLean, Jackie mc-leen [Your editor has
heard Max Roach,
among other well-informed individuals, let this slip as "mc-lane"--
the name is of Scottish origin, after all--but the family itself uses the
stated pron.] Alto saxophonist, educator
- McLean, René roo-nay ("oo" as
in "look") Saxophonist, son of
above
- Makowicz, Adam ah-dahm mah-koh-vitch
Pianist of Czech
origin
- Marsalis, Delfeayo delf-ee-oh mar-sell-iss
Trombonist,
producer [authority: this is how brother Branford pronounced his
name when I interviewed the saxophonist. Pronunciation of last name
applies to the whole "clan", of course]
- Masekela, Hugh moss-ay-kay-lah
("moss" as in the soft, green
plant life; just don't say it like a New Yorker ["mawss"], please!)
South African trumpet/flugelhorn player
- Michel, Ed; Michel, Lisa mee-shell (French-style)
Since
daughter (vocalist) says it this way, we'll make bold assumption
that it's correct for papa (legendary recording session producer)
- Michelot, Pierre pee-yair meesh-low
French bassist
- Moncur, Grachan III gray-shun mon-core
("mon" as in
"monetary") Trombonist. This is consensus pronunciation;
anyone have contradictory, authoritative info? Give it up!
- Monk, Thelonious theh-loan-ee-uss
("th" as in "threat") Pianist,
composer [Your editor suspects it's an "urban legend" that a college
radio announcer once said this as "the loneliest monk"--but that was
the caption when his portrait appeared on the cover of Time maga-
zine! For years, his first name was misspelled by omitting the second
'o']
- Montreux moan-trooh (the 'n' is kind of
half-swallowed, the "oo"
like in "look" with last syllable kind of explosive, the 'x' is silent)
Swiss
site of famous jazz festival [ironically, if there was an 'a' after the 'e',
the way Americans mispronounce this would be close to correct--
except they still wouldn't get the first syllable right! French--you
gotta love it!]
- Motian, Paul moe-shun (like
"motion") Drummer
- Musillami, Michael muzz-ih-lahm-ee
("muzz" like in "muzzle")
Guitarist
- Mutet 'mu' as in "mutate" Group led by
reed player Jeff
Coffin [authority: Mr. Coffin's own pronuciation in a live
performance--J.O.S.]
- "Naima" nah-eem-ah John
Coltrane composition, named for his
wife
- Newborn, Phineas Jr. finn-ee-iss
Pianist [Jon Pollack of
WMBR--Cambridge, relates that, according to Mr. Newborn's
brother, he was given the name "Phinus" at birth, but taunting by
peers in his formative years led to his changing his name to Phineas
for public consumption; your editor argues that we should use the
latter.]
- Nieske, Bob ness-key New England-based
bassist
- "Nuages" nwazh Django Reinhardt composition;
French for
"Clouds"
- Okegwo, Ugonna ooh-gahn-ah oh-keg-woh
Bassist
- Onishi, Junko zhoon-ko oh-nee-she
("oon" as in "loon") Pianist
- Ozone, Makoto mah-koh-toh oh-zoh-nay
(long 'o' in all cases)
Pianist
- Petrucciani, Michel mee-shell peh-true-chee-ah-nee
("chee"
like in "cheese") Pianist [as with S. Grappelli, we have
a mix of
French and Italian heritage here]
- Ponty, Jean-Luc zhahn-lyook poan-tee
("poan" rhymes with
"loan", and of course--it's French, after all--the 'n's are half-swal-
lowed...i.e., sort of "held back") Violinist
- Previte, Bobby prev-itt ("ev"
as in "seven") Drummer
- Puente, Tito tee-toh pwen-tay
Percussionist, bandleader
- Purim, Flora pooh-reem Vocalist
Key
A-E F-K L-P
V-Z
Q-U
- Ravel, Maurice moh-reese rah-vell
French composer of
19th/20th Centuries; inspiration for occasional jazz "impressionism"
or homage to the composer [who was known to "hang out" with
the likes of George Gershwin]
- Reinhardt, Django zhane-go rhine-heart
(long 'a' in first name)
Famous "Gypsy" guitarist and collaborator with Grappelli in The
Quintet of The Hot Club of France
- Roche, Betty ru-shay ("ru"
like in "rush") Vocalist, most notably
with Ellington
- Rosnes, Renee ree-nee ros-nehz
("ros" as in "rosin" or "Roswell")
Pianist
- Rowles, Jimmy rolls (as in Rolls Royce)
Pianist
- "Rue de la Harpe" ryoo deh lah
arp Composition [French for
Harp Street]
- Rypdal, Terje tear-yay rip-doll
("tear" as in "tear to shreds")
Guitarist
- Saindon, Ed sane-dun Vibraphonist
[thanks to Steve Schwartz
of WGBH/Boston for this tip]
- Sanchez, David dah-veed Saxophonist
- Satie, Erik sah-tee 20th Century French
composer/absurdist
whose "Gymnopédies" are sometimes given jazz treatment
- Simon, Edward see-moan Pianist of
Hispanic heritage
- Spaak, Jazz Officer "spock" [a.k.a. Johann
Odysseus Spaak; J.O. Spaak] Half-Vulcan, half-human purveyor of half-baked
jazz radio, who is determined to not be sued by Paramount Television
- Staton, Dakota stay-ton ("ton"
as in 2000 lbs.) Vocalist
- Styne, Jule "julie" Yes, that's how this male
songwriter's first name
is pronounced
- Sulieman, Idris eeh-driss soo-lay-mahn
("soo" rhymes with "zoo")
Trumpeter
- Swartz, Harvie swartz [Harvie states in an email that he
almost
gets physically ill if he hears his name pronounced as if there's a 'ch'
in it. I guess this one's definitively resolved! Thanks to Fred
Bouchard, WMBR--Cambridge, for passing that along.] Bassist
- Tchicai, John chee-kigh ("kigh"
rhymes with "sigh") Danish reed
player
- Terrasson, Jacky tear-uh-son
("tear" as in "tear the paper", "son"
as in "sonic") Pianist [your editor doubts that this
would "cut it"
in Jacky's native France, but apparently this is what he's settled for
in the English speaking world]
- Thielemans, 'Toots' teel-mahnz Belgian
guitarist/harmonica
player/whistler
- Tjader, Cal jay-der (yes, the 't' is
silent) Vibraphonist, pioneer
in taking Latin jazz mainstream
- Turrentine, Stanley and Tommy ter-en-teen
("ter" like in "term")
Saxophonist and trumpeter, respectively
Key A-E
F-K L-P
Q-U
V-Z
- Vinding, Mads modz vin-ding
("mod" as in "modern", "vin" as
in "vintage") Danish bassist
- Vitous, Miroslav meer-uh-slahv vee-tooz
Bassist
- Wakenius, Ulf oohlf vah-ken-ee-uss
Guitarist
- Watanabe, Kazumi kah-zoo-mee what-uh-nah-bay
Guitarist
- Watanabe, Sadao sah-day-oh Saxophonist
- Weill, Kurt court vile [not a comment on our
judicial system--
this is phonetic approximation of this German composer whose
"Threepenny Opera" gave us "Mack The Knife". It's said that after
Hitlerism forced him into exile, he desired to be "de-Germanized",
so an Anglo-ized pron. is acceptable]
- Whitfield, Weslia wezz-lah Vocalist; in
recent years, she has
dropped the silent 'i' from first name to avoid confusion
- Winding, Kai kigh win-ding
(Careful! "kigh" rhymes with "sigh";
"win" as in "window") Danish trombonist. Jim
Wilke of "Jazz After Hours" persuaded your editor that this was fine and dandy
with
the artist in question, regardless of how that 'w' may have been
pronounced on Danish soil. Problem? Blame Jim!
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